Topaz Goldsmiths and Gallery

Topaz Goldsmiths and Gallery
October 22nd, 2019
The 8,000-year-old "Abu Dhabi Pearl" will be making its world debut on October 30 at the Louvre Abu Dhabi, the new UAE outpost of the famous Paris museum. The natural pearl — which is said to be the world's oldest — will headline a special exhibition called “10,000 Years of Luxury.”



The iridescent gem was carbon dated to 5,800-5,600 BC, during the Neolithic period. It was discovered during excavations at Marawah Island, located 62 miles west of the capital city. Despite being privately owned, the island is rich in archeological sites. In 2004, a 7,500-year-old skeleton was found among the ruins of Neolithic buildings, along with 200 flint tools.



“The discovery of the oldest pearl in the world in Abu Dhabi makes it clear that so much of our recent economic and cultural history has deep roots that stretch back to the dawn of prehistory,” said Mohamed Al-Muabarak, the chairman of the Louvre Abu Dhabi.

Archaeologists believe that pearls from the region were held in high esteem and traded for ceramics and other goods with merchants from Mesopotamia.

A spokesperson for the Abu Dhabi Department of Culture and Tourism noted the Venetian jewel merchant Gasparo Balbi, who traveled through the region, mentioned the islands off the coast of Abu Dhabi as a source of pearls in the 16th century.

Natural pearls continued to underpin the economy of the region until the 1930s. The local pearl trade would eventually collapse due to a number of factors, including the advent of cultured pearls and conflicts that disrupted global economies.

Interestingly, the "Abu Dhabi Pearl" was loaned to the Louvre Abu Dhabi by the Zayed National Museum collection. The Zayed National Museum is scheduled to open in 2020 and is located just 3 km from the Louvre Abu Dhabi.

The Louvre Abu Dhabi was inaugurated in November 2017 by French President Emmanuel Macron, United Arab Emirates Vice President Mohammed bin Rashid Al Maktoum and Crown Prince of Abu Dhabi Mohammed bin Zayed Al Nahyan.

Credits: "Abu Dhabi Pearl" screenshot of video by the Abu Dhabi Department of Culture and Tourism. Photo of Abu Dhabi Louvre by Wikiemirati [CC BY-SA 4.0], via Wikimedia Commons.
October 21st, 2019
Eighty-seven-year-old Aussie Tom Susans finally got to marry his college sweetheart last weekend with bridal jewelry he had stored away for the past 60 years.



Susans and Judith Beston met at a teacher's training college in Brisbane, Australia, in 1957 and agreed to tie to knot two years later when Susans graduated and landed a good job in his field of study.

He had already purchased an engagement ring and wedding band when Beston's mum pulled the plug on the relationship. Susans was 27 at the time and Beston's mum disapproved because she felt he was far too old to be courting her 20-year-old daughter.

"I thought, 'This is good, I can get married here and Mum can help me a bit,' but at home it was really difficult," Beston told Australia's ABC network. "Mum didn't want Tom involved. She thought he was much too old for me."

Without telling Susans her plans, Beston abruptly moved from Australia to New Zealand, where she got a job as a school teacher and started a new life.

"She just disappeared," Susans told ABC. "I didn't know where she was. I couldn't find her anywhere in Australia."

A brokenhearted Susans placed the engagement ring and wedding band intended for Beston in a wooden cabinet and there's where they remained for the next 60 years.

Beston went on to marry an Englishman with whom she raised seven children. Susans married a fellow teacher and established a home in Rockhampton, Australia, where they raised four girls.

Throughout his 53-year marriage, Susans always wondered about the one who got away. He consistently attended the reunions of the Queensland University of Technology, hoping to reconnect in some way. He couldn't find her at the 30th or the 40th. At the 50th, he didn't even try.

But, when he returned from the 50th reunion he scanned through the names of the 400 attendees and, sure enough, Beston's name was on the list.

"I thought she had died," said Susans.

It was 2009 when Susans and Beston finally met face-to-face at another Golden Graduates Reunion. They had a great time catching up on each other's lives, but for the next decade they only communicated via Christmas cards.

When Susans' wife, Sylvia, passed away, he decided to correspond more frequently with Beston, who lost her husband many years earlier.

In April of this year, the two connected once again when Beston traveled to Australia to celebrate her 80th birthday.



The two holidayed on the Queensland coast and this is where Susans proposed to Beston, again, with the engagement ring he had purchased in 1959.

This time, her mum wasn't around to stand in their way.

"When he asked me to marry him, I said yes straightaway," Beston told ABC.

"I thought after 60 years, it was about time she had it back — and it fitted," Susans said.

The couple officially tied the knot last weekend in an intimate ceremony attended by family and close friends.

And this past weekend, Beston proudly wore her old/new bridal jewelry as she and Susans participated in their 60th Golden Graduates Reunion.

Credits: Screen captures via abc.net.au.
October 18th, 2019
Welcome to Music Friday when we bring nostalgic tunes with jewelry, gemstones or precious metals in the title or lyrics. Today, Dion's 1963 hit, "Donna the Prima Donna," shines the spotlight on a young woman who aspires to be a socialite and has an affection for the finer things in life, including jewelry and gemstones.



While Donna loves to talk about high society, she's really just a working-class girl. As Dion sings, "She always wears charms, diamonds, pearls galore / She buys them at the 5 and 10 cents store / She wants to be just like Zsa Zsa Gabor / Even though she's the girl next door."

As a poor kid from the Bronx, New York, Dion acknowledges that winning her heart will be nearly impossible, singing, "Pretty little girl, I don't stand a chance /Without any money there goes our romance."

Written by Dion and Ernie Maresca, "Donna the Prima Donna" appeared on Dion's 1963 album of the same name. The song zoomed to #6 on the U.S. Billboard Hot 100 chart and #17 on the R&B chart, and continues to get airplay 56 years after its release.

Born in 1939, Dion DiMucci developed his love for music early in life while touring with his dad, Paquale DiMucci, a vaudeville entertainer. Dion's singing style was honed on the street corners of the Bronx, where he and his buddies performed a cappella riffs.

Dion started his career in the late 1950s as the frontman for Dion and the Belmonts. He rocketed to stardom after going solo in 1960 and is best remembered for the singles "Runaround Sue," "The Wanderer," "Ruby Baby" and "Donna the Prima Donna."

Trivia: Dion also released an Italian version of "Donna the Prima Donna." The lead vocals are in Italian, but the backing vocals — provided by The Del-Satins — are identical to the original song.

Dion, who celebrated his 80th birthday in July and continues to tour, was inducted into the Rock & Roll Hall of Fame in 1989.

We hope you enjoy these clips of Dion performing "Donna The Prima Donna." (As a fun bonus, we've also included the Italian-language version.) The English lyrics are below if you’d like to sing along...

"Donna The Prima Donna"
Written by Dion DiMucci and Ernie Maresca. Performed by Dion.

Donna, Donna the Prima Donna
Broke my heart.
We're apart.
Thinks she's smart.

I met a girl a month ago
I thought that she would love me so.
But in time I realized.
She had a pair of roving eyes.

I remember the nights we dated,
Always acting sophisticated,
Talking about high society,
Then she tried to make a fool out of me.

They call her Donna, Donna the Prima Donna
Broke my heart now.
Thinks she's smart now.
We're apart now.

Pretty little girl you're just having fun
You're running all around and breaking lover's hearts.
Pretty little girl, I don't stand a chance,
Without any money there goes our romance.

She always wears charms, diamonds, pearls galore,
She buys them at the 5 and 10 cents store.
She wants to be just like Zsa Zsa Gabor,
Even though she's the girl next door.

They call her Donna, Donna the Prima Donna.
Broke my heart.
Thinks she's smart.
We're apart.

Pretty little girl you're just having fun,
You're running all around, you're breaking lover's hearts.
Pretty little girl, I don't stand a chance,
Without any money there goes our romance.

She always wears charms, diamonds, pearls galore,
She buys them at the 5 and 10 cents store.
She wants to be just like Zsa Zsa Gabor,
Even though she's Donna next door.

Donna, Donna the Prima Donna
(Repeats)



Credit:Screen capture via Youtube.com.
October 17th, 2019
Britain's Royal Mint just took the concept of a "gold card" to a whole new level with the unveiling of the first-ever payment card made from 18-karat gold.



Developed in association with Mastercard and Accomplish Financial, the solid gold Raris card offers limitless spending, zero foreign exchange and no transaction fees. It also carries a $23,000 price tag.

Each Raris card is personalized with the name and signature of the accountholder engraved right into the precious metal. The card is fully customizable. Additional graphics may be added to the front and back of the card — for an additional fee.

The Royal Mint, which has produced coinage in England for more than 1,100 years, is targeting the premium product to the elite consumer who values high-quality luxury items and wants to make a statement.

Because the Raris card is part of the Mastercard World Elite package, cardholders will have access to a dedicated concierge service and other travel benefits.

In addition to being the world’s first precious metal payment card to be hallmarked by the Goldsmiths’ Company Assay Office, Raris is also the first payment card in the world to use source-traceable metals and to be certified under the Responsible Jewellery Council’s Chain of Custody.

"The Royal Mint is constantly innovating, and as the UK’s leading precious metals solutions provider, we are hugely excited to launch the solid gold Raris card in acknowledgement of growing consumer demands for unique and luxury payments cards," noted Anne Jessopp, CEO at The Royal Mint.

CNN reported that the Royal Mint's initial run will consist of 50 Raris cards with the same design. New card designs and additional runs will follow as the product gains traction.

When CNN asked Mastercard spokesman James Thorpe why anyone might want to invest in an 18-karat gold payment card, he said, "If you want something that is unique in this world, there are very few things. But this is a remarkable and valuable product."

Credit: Image courtesy of The Royal Mint.
October 16th, 2019
Back in February of 1981, Prince Charles proposed to the 20-year-old Lady Diana with a big blue sapphire-and-diamond ring that the future princess got to pick out herself. According to the editors of Vogue, some members of the British royal family fumed at Diana's choice — not because it featured an unconventional center stone, but because it was a stock item from the Garrard catalog.



Founded in London in 1735, Garrard was the official crown jeweler of the UK from 1843 until 2007. The distinguished company that had been entrusted with the upkeep of the British Crown Jewels was the logical source for Diana's bridal jewelry.

So, in the lead-up to their engagement, the 32-year-old Prince Charles presented his bride-to-be with a bunch of design options from Garrard. Her favorite was an 18-karat white gold ring set with a 12-carat oval Ceylon sapphire surrounded by a halo of 14 round white diamonds.

In Diana's eyes, the ring was perfect. She loved it so much that she didn't request any modifications or customizations.

In the eyes of her critics and some members of the royal family, the ring was sub-standard because it was hardly unique. Critics called the Garrard stock item a "commoner's ring" because any non-royal with $60,000 to spend could purchase the exact piece.

Nevertheless, Diana's sapphire and diamond engagement ring would become one of the most recognizable and imitated engagement rings of all time. Gerrard still features a sapphire ring with a halo of 12 diamonds in its "1735 Collection." (The ring seen, above, is a replica with 16 accent stones.)

Diana wore the ring throughout her marriage and even, on some occasions, after her divorce from Prince Charles in 1996.

After Diana died tragically in 1997, her sons, then 15 and 12, were given an opportunity to select a keepsake from their mom's possessions.

Prince William picked a Cartier watch that his mom received on her 21st birthday and Harry got the sapphire engagement ring.

But, wait... Didn't Prince William famously propose to Kate Middleton in October of 2010 with his late mother's sapphire ring? Well, yes. We learned in April of this year, that the sapphire ring proposal was made possible by the selfless act of William's younger brother, Harry.

According to Diana’s former butler, Paul Burrell, the princess's ring was in Harry’s possession for 12 years. When William broke the news to his brother that he was about to propose to his long-time girlfriend, Kate, the younger brother said, “Wouldn’t it be fitting if she had mummy’s ring? Then one day that ring will be sat on the throne of England.”

William accepted his brother’s generous offer and the rest is history.

Credits: Princess Diana photo by John Mathew Smith [CC BY-SA 2.0], via Wikimedia Commons. Engagement ring replica by Ann Porteus from Tasmania, Australia [CC BY 2.0], via Wikimedia Commons.
October 15th, 2019
Lightning Ridge, a small outback town in New South Wales, is the only place in Australia, and one of the few places in the world, where the highly prized black opal is found. Opals with a vivid play-of-color and a black or dark body color are classified as black opals.



The beautiful 26.9-carat specimen, above, is an example of a black opal sourced at Lightning Ridge — a mining area that has been yielding top-quality opals since 1903. The ring was gifted to the Smithsonian in 1970 by Mrs. Oliver B. James and became part of the National Gem Collection in Washington, D.C. The cabochon-cut gem displays a variety of intense colors, including red, violet, blue, green, yellow and orange.



As one of October’s official birthstones, the precious opal is universally loved because it can present all the colors of the rainbow. Each opal is truly unique and more than 95% of the world's fine opals are sourced in Australia. Other varieties include white opals, boulder opals, crystal opals and fire opals.

As we reported earlier this year, a world-class facility dedicated to Australia’s national gemstone is taking shape at Lightning Ridge. The $24 million Australian Opal Centre will be a world-class tourism attraction and an internationally recognized hub for opal-related knowledge, training and certification.

Scientists believe that between 100 million and 97 million years ago, Australia’s vast inland sea, which was populated by marine dinosaurs, began retreating. As the sea regressed, a rare episode of acidic weather was taking place, exposing pyrite minerals and releasing sulphuric acid. As the surface of the basin dried further and cracked, silica-rich gel became trapped in the veins of the rock. Over time, the silica solidified to form opals.

In precious opal, the silica spheres are uniform in size and are stacked into an orderly arrangement, which gives the structure the ability to break visible white light into separate colors. Interestingly, 95% of the opals found by miners is void of color. These specimens are white, grey or black. The locals call it “potch” and it has very little value. Potch is composed of the exact same mineral as fine opal – spheres of silica dioxide. The only difference is that in potch, the tiny silica spheres are jumbled, whereas in precious opal they’re all laid out evenly.

An opal’s silica structure contains 3% to 20% water, according to the American Gem Society. The value of a fine opal is based on a number of factors, including brightness, color, pattern, body tone and consistency (how it looks from multiple angles).

While Australia remains the primary source of fine opal production, the October birthstone is also mined in Mexico, Brazil, Honduras, Ethiopia, the Czech Republic and parts of the U.S., including Nevada and Idaho.

Credits: Photos by Chip Clark/Smithsonian.
October 14th, 2019
Sparkling with 282 diamonds and 51 sapphires, the St. Louis Blues' first-ever Stanley Cup rings pay tribute to the strong bond between the players and their dedicated fans. The impressive 14-karat white and yellow gold rings — which boast a total gem weight of 10.6 carats — were recently presented to the players, coaches and executives by local police and firefighters during a private ceremony.



Founded in 1967, the St. Louis Blues and their fans waited 52 years to raise the Stanley Cup.

Designed by Jostens, the ring face features the Blues' distinctive Blue Note logo rendered with 16 genuine, custom-cut blue sapphires. The number 16 represents the number of victories earned by the Blues on their path to the championship. Jostens reported that each sapphire had to be delicately shaved so each would fit exactly within the logo's yellow gold outline.

The Blue Note logo sits atop the Stanley Cup, rendered with 45 pavé-set diamonds. To the left and right of the Cup are 30 more diamonds for a total of 75 — a number representing the goals scored by the Blues during the 2019 postseason.

The words "STANLEY CUP CHAMPIONS" in raised gold lettering encircle the face of the ring and sit against a ground of custom blue antiquing. Completing the top's stunning design are 115 additional diamonds intricately set in a cascading waterfall effect.

A total of 20 princess-cut sapphires — channel set in yellow gold — wrap around two sides of the ring's top edge. One of the remaining two sides features the player's name in raised yellow gold lettering, and the fourth side showcases the words "ST. LOUIS BLUES" with "ST. LOUIS" in raised gold letters and the word "BLUES" colored with blue antiquing.



The player's jersey number set in diamonds is prominently placed on the left side of the ring, along with an illustration of the players and fans celebrating their victory with the Stanley Cup held aloft. Also on the left side of the ring is the championship year of 2019.

Intricately detailed music notes for the song “When the Blues Go Marching In” are featured on the right side of the ring. The music notes flow through the iconic St. Louis Arch, formed by 16 diamonds, again representing the number of victories earned in the playoffs. According to Jostens, the scene is inspired from photos taken from an overhead blimp during the city’s championship parade celebration. A mix of 76 diamonds and 15 sapphires symbolizes the huge crowd that surrounded the stage during the city's celebration.



The results of the each playoff series and the opponents' logos are engraved on the interior of the ring, along with the Blue Note logo. Below the scores is an engraving of the player's personal signature. Also on the interior is the name "LAILA," an 11-year-old superfan who suffers from a rare, life-threatening disease. Laila Anderson was a season-long source of inspiration for the team.

The palm crest reads "PLAY GLORIA," a nod to the Laura Branigan song that was played after the team's home victories.

“The Blues journey to become Stanley Cup Champions for the first time was nothing short of extraordinary," said Chris Poitras VP and COO of Jostens Professional Sports Division, "and we wanted to honor that story through an equally incredible ring."

Credits: Images courtesy of Jostens.
October 11th, 2019
Welcome to Music Friday when we bring you hit songs with jewelry, gemstones or precious metals in the title or lyrics. Today, Mario tells his new love interest why she deserves a fistful of diamonds and a handful of rings in his 2004 blockbuster hit, "Let Me Love You."



Written by Ne-Yo, Kameron Houff and Scott Storch, "Let Me Love You" is the story of a young woman with relationship problems. She has to choose between a cheating boyfriend who comes home with makeup on his shirt and a sweet-talking suitor who promises to show her the way love's supposed to be.

Mario sings, "You're the type of woman (deserves good thangs) / Fistful of diamonds (handful of rings) / Baby you're a star (I just want to show you, you are)."

The song, which appears on Mario's second studio album, Turning Point, was an instant hit, as it zoomed to #1 on the U.S. Billboard Hot 100 chart and remained there for nine consecutive weeks. It was also an international hit, charting in 19 countries. Billboard named "Let Me Love You" the eighth most successful single of the decade. It even earned Mario a Grammy award nomination for Best Male R&B Vocal Performance in 2006.

Trivia: Mario's "Let Me Love You" is one of the top-selling ringtones of all time with 1.6 million downloads.

Mario Dewar Barrett was born in Baltimore in 1986. At age four, Barrett told his family that he wanted to be a singer, and to support his dream, his mother bought him a karaoke machine. At age 11, Barrett signed a record deal after being discovered at a Coppin State College talent show by producer Troy Patterson. Three years later, the talented teen signed a new deal with Clive Davis' J Records.

Please check out the video of Mario's duet with Zendaya. The live performance of "Let Me Love You" is from the short-lived television show called Greatest Hits ABC, which ran in the summer of 2016. The lyrics are below if you'd like to sing along...

"Let Me Love You"
Written by Ne-Yo, Kameron Houff and Scott Storch. Performed by Mario, with Zendaya.

Baby I just don't get it
Do you enjoy being hurt?
I know you smelled the perfume, the make-up on his shirt
You don't believe his stories
You know that they're all lies
Bad as you are, you stick around and I just don't know why

If I was ya man (baby you)
Never worry bout (what I do)
I'd be coming home (back to you)
Every night, doin' you right
You're the type of woman (deserves good thangs)
Fistful of diamonds (handful of rings)
Baby you're a star (I just want to show you, you are)

You should let me love you
Let me be the one to give you everything you want and need
Baby good love and protection
Make me your selection
Show you the way love's supposed to be
Baby you should let me love you, love you, love you"

Listen
Your true beauty's description
Looks so good that it hurts
You're a dime plus ninety-nine
And it's a shame don't even know what you're worth
Everywhere you go they stop and stare
'Cause you're bad and it shows
From your head to your toes, out of control, baby you know


Credit: Screen capture via YouTube.com.
October 10th, 2019
L.J. West Diamonds recently granted CNBC unprecedented access to its New York City cutting facility to witness the re-polishing of a 5-carat pink diamond — a risky procedure that, if successful, would more than double the stone's value from $3.2 million to $7 million.



The father-son team of Larry and Scott West were betting that the pink diamond they had purchased at auction could be elevated from a from a "fancy pink" to a "fancy intense pink."



All it would take was a master diamond cutter and six painstaking hours at the polishing wheel. The cutter would remove a few micro millimeters of material from key points around the diamond and alter the angle of a few facets. Based on the Wests' computer modeling, the result would be a diamond that would better reflect the light and magnify its natural pink hue.



The re-polishing process took 10 sessions that extended over two weeks. The cutters were careful to keep each season on the wheel to less than 30 minutes. The grinding creates a lot of heat, so the diamond is allowed to "rest" and cool down while the experts evaluate their next move.

Overall, the calculation is simple: More color equals more value.

Scott emphasized that the procedure did come with a scary downside. At any time during the process, the diamond could shatter and their investment would go completely down the drain.

The younger West explained how a huge yellow perished during a similar process.

“We had a 20-carat yellow diamond that busted on the wheel," he told CNBC. "It went from $600,000 to $100,000 — just like that. It’s the unlucky lotto."

In this case, the 5-carat diamond survived its "surgery," but it was still unclear whether it would earn a high color grade at the Gemological Institute of America.



Two weeks later, the Wests invited CNBC back again to view GIA's grading report. The Wests were thrilled to learn that the gem did, indeed, earn a jump from "fancy pink" to "fancy intense pink."



"It was a big risk, but it really paid off," said Scott, who believes the $3.2 million gem is now worth $7 million.

The gem was recently set in a platinum ring flanked by two white diamonds. The Wests will be traveling with the stone to a number of VIP events, where they hope to match it up with a buyer.

Read the CNBC's story and see the network's video coverage at this link...

Credits: Screen captures via cnbc.com.
October 9th, 2019
The Diamond Producers Association (DPA) is launching an $11 million ad campaign that is an unprecedented, cinematic telling of the natural diamond story. Titled "The Diamond Journey," the video chronicles the history of a beautiful rough diamond from its fiery subterranean origins to its place as the ultimate representation of love, commitment and meaningful moments.



At the epicenter of the campaign is a three-minute hero film that could be mistaken as the trailer for a major motion picture, due to its impressive special effects, period costumes, cast of characters and engaging score by Oscar-winning musician, Atticus Ross.

As the newest part of the “Real is Rare, Real is a Diamond” platform, the campaign was developed in partnership with creative agency BBH London. The film was directed by Ian Pons Jewell, whose impressive client list includes Nike, Audi, Lexus and Michelob.

“We know from research that the majority of consumers are unaware that diamonds are the oldest thing they will ever touch or own," noted Jean-Marc Lieberherr, CEO of the DPA. "It’s a powerful message that resonates and one this campaign celebrates with the tagline ‘Three Billion Years in the Making.’"

The campaign also uses the phrase "Before there was life, there were diamonds."

Elements of the three-minute hero film have been edited into 60-, 30- and 15-second videos, which will be seen on social media platforms. The DPA is also producing striking portrait and landscape still visuals of an embracing pair of hands emerging from a natural scene. One of the hands is adorned with a diamond ring (See image, above).

The featured item in the campaign is a 2-carat cushion-cut diamond engagement ring, set in yellow gold. It was chosen because it evokes a classic, timeless quality with eternal appeal.

The advertising campaign, which has a primary target audience of 21-39 year olds, launches digitally on October 15 with Condé Nast, The New York Times and Sports Illustrated, among others. The creative ads also will be posted to Instagram, Facebook and YouTube.

"The Diamond Journey" commercials will be seen during NFL games on ESPN, holiday movies on the Hallmark channel, and The Today Show on NBC.

The DPA is also targeting high-impact placements in transit hubs and key cities during the busy holiday travel and gifting season. Expect to see "The Diamond Journey" messaging in New York's Grand Central Terminal, JFK and LAX airports, and select in-flight TVs.

Check out the full-length version of "The Diamond Journey" here...


Credits: Image courtesy of the Diamond Producers Association.